nterference

Storytelling needs to return to its visual roots — the roots born and perfected in silent film.

What passes as storytelling today is overexplained and drained of its mystery. As humans, we are drawn to the things that resist explanation. As filmmakers, we trust that images can tell a story better than language.

We accept that the viewer is perceptive, curious, maybe even a little restless — like us. They can sit in discomfort and pay attention to what is happening within and between the frames. Our projects reflect their subject through form, not the lingua franca of mainstream cinema.

We exist to disrupt passive consumption. Our films force the viewer into active perception and suspended judgment — leaving a space where the strictures of thought normally preside.